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Six workshops in theatre-making through improvisation.
Bringing attention to what's at play, in life —
within us, between us, and around us.
Bringing intention to play, in the making —
with a sense of Self, Status, Story, Space, Style, and Scene.

Six workshops in theatre-making through improvisation.
Choose your own adventure with individual workshops,
or chart through Making Senses as a comprehensive 6-day course.
Mon 6 – Sat 11 July
10am – 3:30pm daily
📍 Players Theatre, Trinity College Dublin
Full Course: €330 (Best Value: €55 per workshop)
Secure with €100 deposit | Balance due July 1st
Bookings for individual workshops: €75 each
Subject to availability:
Only 6 full course sign-ups
Only 6 individual sign-ups per workshop

Character is what surfaces; Self is what lies beneath — the hero-making storyteller within that shapes how we present and perceive.
Inspired by Will Storr’s Selfie: How the West became Self-Obsessed, this workshop builds both illustrated characters and illuminated selves.

Status is a game we play – not our inherent worth, but where we stand, relative to others. The see-saw effect: when I go up, you go down.
Inspired by Will Storr’s The Status Game, this workshop plays with balancing acts, extreme gaps, competitions, social transfers, and pecking orders.

Story, at large, is what happens — everything, everywhere, all at once. Storytelling pulls a single thread from the chaos.
Inspired by Will Storr’s The Science of Storytelling, this workshop crafts stories by charting characters through crisis and change.

Space is what appears between what people say, do, and hold — a gulf of tension we rush to fill with our own projections and anticipation.
In this workshop, we play with physical and psychological space in performance, building suspense, landing surprises, and shifting scenes.

Style is the signature that emerges in play — shaped as much by the limits we push against as by the choices we make within them.
Inspired by genre, we play with inherited styles, then turn inward to observe our habits and shape a more selective style in performance.

Scene is an essential moment — complete in itself, and part of something greater: a drop in the ocean, and the ocean in a single drop.
Now we’re making things matter in the moment and beyond, playing with impact and altering our trajectories in scenes that stay with us.
Oh good! You won't feel like a fish out of water so.
It sounds like lofty stuff, but there's nothing about Making Senses that calls for much beyond life experience, and a willingness to question it. That's where we begin.
Whether you're brand new to this or you're coming from experience as an writer, improviser, theatre-maker, film-maker, or performer, it doesn't matter. What we learn here is a new foundation for practice, process, performance, personal and professional life.
And it's play, at the end of the day!
(Even so, it's all to play for.)

A mix of complete beginners, experienced improvisers, and professional theatre-makers.
A way in — discovering improvisation as a creative practice, developing confidence in spontaneous play, and learning to make bold choices. The work is game-based and fail-safe.
A deepening — sharpening your craft, tuning your senses, and exploring improvisation as a theatre-making methodology. This isn't just improv training — it's applied play with artistic ambition.
A way of working — developing improvisation as a creative tool, exploring new ways of making work, and tuning your senses for Self, Status, Story, Space, Style, and Scene.
All kinds. We don't do formal introductions by occupation, because that doesn't actually matter. You'll learn more about a person in an hour of play than a year of conversation, and we all come to play.
Each day focuses on one sense — a different aspect of theatre-making through improvisation. We bring attention to the concept, explore it through games, apply it in scenes, and reflect on what it means for our work and our lives. The workshops are progressive, building on each other across the week. But each also works as a standalone experience with its own feel and focus.
Wear comfortable clothes you can move in. Bring food and drink, as we may take a few breaks instead of full hour for lunch. Everything else — the games, the scenes, the theatre — we'll make together.
Darren Yorke is a playmaker — creating, performing, facilitating, leading through improvisation.
Originally from Longford and based in Dublin, he founded Grand Stretch in 2017 to explore improvisation as a creative practice — not just for performance, but as a way of making work, developing craft, and questioning experience. Trained in Keith Johnstone's Impro methodology and a member of the International TheatreSports™ Institute, Darren facilitates workshops for improvisers, theatre-makers, youth groups, and corporate teams.
He's interested in creating experiences in which play becomes craft, and craft becomes play. That's what Playing Fields and Making Senses is designed to explore.

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