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A six-part intensive in theatre-making through improvisation.
Bringing attention to what's at play —
within us, between us, and around us.
Bringing intention to how we play —
with a sense of Self, Status, Story, Space, Style, and Scene.
In practice. In performance. In life.
Oh good! You won't feel like a fish out of water.
It sounds like lofty stuff, but there's nothing about Making Senses that calls for anything beyond life experience — and a willingness to question it. That's where we begin.
Whether you're coming from experience as an writer, improviser, theatre-maker, film-maker, or performer — or you're brand new to this way of working through play — it doesn't matter.
What we're exploring here applies to practice, performance, and life itself.
And it's play, at the end of the day! So dive on in, and just keep swimming.


Only 12 places available
A progressive six-day course — each workshop builds on the last, but can also be taken as a standalone experience.
Mon 6 – Sat 11 July
10am – 3:30pm daily
📍 Players Theatre, Trinity College Dublin
Early Bird: €300 (until May 1)
Standard Price: €350 (until June 12)
Bookings for individual workshops will open on June 12, subject to availability (€75 each)

This workshop approaches "Character" as a construct and "Self" as the architect behind it. We work from the outside in to construct the hardware and software of character, then explore internal processes of Self in improvised scenes.
Inspired by Will Storr's Selfie and Keith Johnstone's Impro, we'll explore how internal and external voices shape character-as-destiny in Story.

This workshop approaches "Status" as a game, ruled by the see-saw effect. In tenuous competitions, balancing acts, and extreme status gaps, this much holds true: if I go up, you go down — and who could with-stand a put-down from you?
Inspired by Will Storr's The Status Game, we'll play with Keith Johnstone's Impro method in status games of Dominance, Prestige, and Success.

This workshop approaches "Story", at large, as What Happens. The art of storytelling is creating consequence and context — establishing and disrupting routines, responding, reincorporating to find resolution, and building meaning.
Inspired by Will Storr's The Science of Storytelling, we'll play with flawed characters in crisis, asking: Who am I, really? And who am I going to be?

This workshop approaches "Space" as both a physical and psychological storyteller. Rather explain it away, we bring the audience into play — paying closer attention to detail, questioning, speculating, anticipating, bridging the gaps, and closing the distance to a satisfying conclusion.
Inspired by directing methodologies and Jonathan Burrows' A Choreographer's Handbook.

This workshop approaches "Style" as a game of attention and intention — what we choose to do, use, and lose in play, creativity, and performance. Playing with Genre, we introduce rules and tools to achieve specific aims. Then, we'll play our way.
Inspired by our favourite plays, novels, films, and TV shows, we’ll map Venn diagrams to find our selective styles and bring them into play.

This workshop approaches "Scene" as an enduring glimpse into experience. It's a drop in the ocean, and the ocean itself, contained in a single drop — the scene isn't just a building block in a larger story; it's a moment that matters both here and after.
Inspired by meaningful and memorable moments, we'll play with choices that create impact in scenes to resonate with characters and audiences alike.
A mix of complete beginners, experienced improvisers, and professional theatre-makers.
A way in — discovering improvisation as a creative practice, developing confidence in spontaneous play, and learning to make bold choices. The work is game-based and fail-safe.
A deepening — sharpening your craft, tuning your senses, and exploring improvisation as a theatre-making methodology. This isn't just improv training — it's applied play with artistic ambition.
A way of working — developing improvisation as a creative tool, exploring new ways of making work, and tuning your senses for Self, Status, Story, Space, Style, and Scene.
All kinds. We don't do formal introductions by occupation, because that doesn't actually matter. You'll learn more about a person in an hour of play than a year of conversation, and we all come to play.
Each day focuses on one sense — a different aspect of theatre-making through improvisation. We bring attention to the concept, explore it through games, apply it in scenes, and reflect on what it means for our work and our lives. The workshops are progressive, building on each other across the week. But each also works as a standalone experience with its own feel and focus.
Wear comfortable clothes you can move in. Bring food and drink, as we may take a few breaks instead of full hour for lunch. Everything else — the games, the scenes, the theatre — we'll make together.
Darren Yorke is a playmaker — an improvisation-led creative, performer, and facilitator.
Originally from Longford and based in Dublin, he founded Grand Stretch in 2017 to explore improvisation as a creative practice — not just for performance, but as a way of making work, developing craft, and questioning experience. Trained in Keith Johnstone's Impro methodology and a member of the International TheatreSports™ Institute, Darren facilitates workshops for improvisers, theatre-makers, youth groups, and corporate teams.
He's interested in creating experiences in which play becomes craft, and craft becomes play. That's what Playing Fields and Making Senses is designed to explore.

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